Jonathan Crocker

Editorial Director | Journalist

Film review: Barry Lyndon

Posted by Jonathan On January - 26 - 2009

barry_lyndonDubbed “Borey Lyndon” by some mugs on its release in the same year that Jaws and Taxi Driver rocked cinemas, Stanley Kubrick‘s period-piece tragedy now looks almost as brutal as those two ’70s barnstormers. Don’t go looking for a human pulse in this adap of William Makepeace Thackery’s novel: Kubrick’s God’s-eye cynicism burns like black ice. Plotting the rise and fall of the shallow 18th-century Irish rogue (Hollywood lunk Ryan O’Neal) who sets out for wealth and power, it pulls a slow reverse-zoom through three hours of duels, war, gambling, aristocracy, amputation and bitter cynicism. But the cruellest movie of Kubrick’s career is also one of the most breathtakingly beautiful ever made. Watching it is like falling into a living oil painting – the past has rarely been reanimated with such vibrancy and detail. Time can’t move quick enough until this one hits Blu-ray.

RATING:

Read Jonathan’s original article at Total Film.

2 Responses to “Film review: Barry Lyndon”

  1. […] projects in two more stellar docs. Of Kubrick’s fully formed classics, only Paths Of Glory, Barry Lyndon and Lolita now continue to wait for the Special Edition treatment. But there’s enough here to […]

  2. […] impossible to imagine, but 2001: A Space Odyssey, Lolita, A Clockwork Orange, Barry Lyndon, The Shining and Full Metal Jacket all got negative reviews from critics when they were released. A […]

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Following a decade’s experience as a journalist, Jonathan currently specialises in editorial and brand storytelling as Editorial Director of London-based creative agency Human After All. He continues to write about life and film on a freelance basis.

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