He has no friends, no past and no name. “I drive,” he says. He does. Opening with its coolest set-piece – an intense, tightly constructed stop/start getaway – Drive immediately shows us how.
Having spun the story of Brit criminal Charles Bronson into a 21st-century Clockwork Orange, hotshot Danish director Nicolas Winding Refn joins forces with Ryan Gosling to take a classic American genre-engine– a girl, a hero, a dark lord, cars, guns, dirty money – and give it a gleaming new Euro-cool chassis. Read the rest of this entry »
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For once, no one gets whacked, stabbed in the neck with a pen or beaten to a bloody pulp. For once, it isn’t that kind of ‘Family’ movie. In fact, the film most unlike anything Martin Scorsese has ever made is really the most personal of his career.
